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Imagine hearing a lion roaring, a baby crying or guitarist playing hard rock. These sounds contain perceptually harsh, attention-grabbing vocal elements, corresponding to nonlinear phenomena, that are hard to ignore. These acoustic phenomena - which are widespread in vocal repertoires of vertebrates and have recently received considerable interest - have yet never been the topic of a comprehensive review. This special issue brings together a collection of studies that reflect on past research, introduce new ideas and tools, and explore future directions for this growing field of study.
Read a blog post written by guest editor, Dr Mathilde Massenet.
This issue is available to buy in print. Visit our information for readers page for purchasing options.
https://doi.org/10.1098/rstb.2024.0002
https://doi.org/10.1098/rstb.2024.0024
https://doi.org/10.1098/rstb.2024.0017
https://doi.org/10.1098/rstb.2024.0015
https://doi.org/10.1098/rstb.2024.0003
https://doi.org/10.1098/rstb.2024.0007
https://doi.org/10.1098/rstb.2024.0006
https://doi.org/10.1098/rstb.2024.0005
https://doi.org/10.1098/rstb.2024.0018
https://doi.org/10.1098/rstb.2024.0019
https://doi.org/10.1098/rstb.2024.0008
https://doi.org/10.1098/rstb.2024.0022
https://doi.org/10.1098/rstb.2024.0023
https://doi.org/10.1098/rstb.2024.0009
https://doi.org/10.1098/rstb.2024.0013
https://doi.org/10.1098/rstb.2024.0011
https://doi.org/10.1098/rstb.2024.0021
https://doi.org/10.1098/rstb.2024.0016
https://doi.org/10.1098/rstb.2024.0010
https://doi.org/10.1098/rstb.2024.0254
https://doi.org/10.1098/rstb.2024.0020
https://doi.org/10.1098/rstb.2024.0014